Osaki Seizan (?-?) "Japanese maple" 1920s, Japanese hanging scroll, kakejiku

Art work details

Shipping table

Setting weight
This piece weighs 0.9 kg and will be shipped in 100 size.

Material
Japanese pigments on silk

Size
Overall: vertical 197.5× width 62.7cm＊width does not include roller ends.
(the work: vertical 126× width 50.2cm)

Condition
・There are burns, stains, wrinkles, floats and repair of wrinkles on the Japanese paper on the back of the cover.
・There are burns, stains, wrinkles on the image.
・There are burns, stains, wrinkles, fraying, warp in the mounting.

Remarks
・Roller ends is Bone.
・It comes in a paper box.

Materials for mounting
All of them are made of silk.

Other
There is a note about shipping restrictions and VAT. Please check before purchase.
*There may be a slight difference in color between the photo and the actual product.

Notes on shipping

Generally, we will ship by EMS.
Recently, there have been an increasing number of cases in which packages destined for the Netherlands, Italy, and Belgium are having difficulty reaching customers.
Therefore, we apologize for the inconvenience, but could you please enter the tracking number (and postal code) into your home country's postal service from time to time to monitor the status of your package (and make inquiries in some cases)?
Also, if you are a new customer in Italy, please let us know your codice fiscale via chat after bidding.
We appreciate your cooperation.

Biography ​​
Osaki Seizan (?-?)
Japanese painter of the Taisho and Showa periods.
Born in Osaka.
A disciple of Takebe Hakuho.
Date of birth and death unknown.

From the store
A maple tree in splendid bloom.
Hanging scrolls with this kind of design often depict small birds together, but there are no small animals in this painting.
The artist may have wanted to express the beauty and vitality of this maple by depicting nothing but it.
At the bottom of the painting, there are brushstrokes in ochre paint that look like rain. Or, it seems to represent the rustling of the wind.
Unfortunately, the original paulownia box is missing, and the title of this painting is unknown. Also, there are some fraying on the cover.
However, we hope the viewer will appreciate the skill with which the artist has painted each maple without skimping on detail, and has used slightly different colors, even within the same vermilion color scheme.