Ohta Nanpo(Shokusanjin) (1749-1823)"na ni shiou" waka poem circa 1810

Art work details

Shipping table

Setting weight
This piece weighs 0.6 kg and will be shipped in size 80.

Material
Ink on paper

Size
Overall: vertical 165 × width 31cm ＊width does not include roller ends.
(the work: vertical 82.3 × width 25.6cm)

Condition
・There are burns, stains, wrinkles, floats, and repair of wrinkles on the Japanese paper on the back of the cover.
・There are burns, stains, wrinkles on the image.
・There are burns, stains, wrinkles, folds, warp in the mounting.

Remarks
・Roller ends is Wooden.
・There is no signature on the box.

Materials for mounting
All of them are made of silk.

Other
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*There may be a slight difference in color between the photo and the actual product.

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Biography

Ohta Nanpo(Shokusanjin) (1749-1823)

Kyoka poet and caricaturist of the mid to late Edo period.
He was born in Kan'en 2.
His name is Fukashi. His nickname was Shi-shi,Naojiro.
The pseudonym is Shokusan-jin,Yomono-Akara,Ymanote-Bakahito,Kyoka-en,Neboke-sensei,etc.
He was a member of the shogunate.
At the age of 18, he learned Chinese poetry from Matsuzaki Kan'kai and others.
In 1766, he published a collection of writings by Neboke-sensei, and later became a leading figure in the Kyoka society.
He wrote many pun books(Share-bon) and yellow covers(Kibyoshi), and became the center of the kyoka world with his "Manzai Kyoka Shu".
After the Kansei Reforms, he devoted himself to the work of the shogunate and was active as an accountant.
He died in the 6th year of Bunsei at the age of 75.

Meaning of Words

名にしおふ三国一の御仏も　両国橋にわたらせたまふ　蜀山人
na ni shiou sangoku ichi no mihotoke mo ryogokubashi ni watarasetamau shokusanjin

Yaku: 
Even the Buddha of Sagano's Seiryoji Temple, celebrated as the foremost in three countries, crosses over to Ryogoku's Ekoin Temple.

Translation Note: 
During the Edo period, a ritual known as "Gokaicho(御開帳)" was held every few years. 
Gokaicho involved opening the doors of the temple cabinet (zushi), allowing the principal and secret Buddha statues to be worshipped by the public. 
This poem describes a moment when the Shakanyorai statue, which had come through India, China, and Japan and was housed at Kyoto's Seiryoji Temple (Jodo Sect), was temporarily displayed at Ryogoku's Ekoin Temple in Edo during such an event. 
It's worth noting that Syokusanjin wrote a similar poem around 1810, and this work is believed to be from around that time as well.